Category: Opinion

Stuff to look forward to

Yep.  A new year.  A new burst of optimism.  A new dawn.   And some of the bands I am looking forward to hearing MORE from in 2011.  Whether in concert.  Or on record.

  • Baaneex: The latest signings to Odd Box. They make me happy.
  • Dream Diary:  Saw them at New York Pop Fest last year and they were wonderful and dreamy. And great.
  • The new record ‘Belong’ by The Pains of Being Pure At Heart. I was lucky enough to find myself at a listening party for this before their superb show at 229 in December. It’s gonna be a killer record. They’re back in the UK for a London show at the start of March, too.
  • Sarandon:  Their new record is coming out as a split release with Slumberland (USA) on Odd Box in March.  It’s a fabulous record. It’s also a concept album. You’ve been warned.
  • The Blanche Hudson Weekend:  Their debut album proper is in producution and if their ‘compilation’ Reverence, Severance and Spite is anything to go by it’s going to be a stunner. The band are also starting to hit their straps as a live band now that they’ve played more than a handful of shows. It’s gonna be their year.
  • The Odd Box Singles Club. 6 slabs of 7″ vinyl, 12 cracking bands. Enough Said.
  • It would be ace if No Bunny came to the UK. I really really really want to see them. Ditto Super Wild Horses.
  • London Popfest.  After missing most of last years’ with illness – I got a feeling this year is gonna be extra special.
  • Weekend:  Their LP ‘Sports’ gate crashed my favourites from last year at the tail end of 2010. I want them to play London soon. Damn it.
  • Sock Puppets:  Hopefully they’re still recording an EP for Odd Box. And they should come back to London soon. Maybe I should make that happen. Talking of Odd Box shows;
  • Which Way Is Up! launches on February 18th at The Wilmington Arms. A new regular night from Odd Box – every third Friday of the month. Some cracking bands lined up too: This Many Boyfriends, Lisa Bouvier, Pocketbooks, The Felt Tips, Falling and Laughing, Chips For The Poor, Baaneex, The Whatevers, The Notes and loads more to be confirmed.
  • ah, yes, The Notes:  Superb new band from Southampton (via London). Their debut record ‘Wishing Well’ is out now on Bleeding Gold. Just buy it.
  • Talking about high expectations: Evans The Death. Superb live shows galore last year. More please. And their debut record promises to be a corker.
  • Everyone likes a dance. Hopefully coming very soon:  Fall Out Make Up. Which is being run by Carys, Ben and me.

Records of the year

So,  I did this post back at the end of August – where I did mini round up of my favourite records of the year so far.  It’s now 2011 and it’s time to do a more comprehensive list. So I think I am going to post a top 20 albums of the year list. I’ve decided to omit releases on Odd Box. It’s easier that way.

01 Kid Canaveral – Shouting At Wildlife (Straight To Video)
02 Trash Kit – Trash Kit  (Upset The Rhythm)
03 Super Wild Horses – Fifteen (Hozac)
04 Swans - My Father Will Guide Me Up A Rope To The Sky (Young God)
05 Betty and The Werewolves – Tea Time Favourites (Damaged Goods)
06 The Chasms – Index Of Spirits (Command To Destroy)
07 Standard Fare – The Noyelle Beat (Thee SPC)
08 The Notes – Wishing Well (Bleeding Gold)
09 Subtle Turnhips – Terd (Hozac)
10 Phil Wilson - God Bless Jim Kennedy (Slumberland)
11 Best Coast – Crazy For You (Wichita)
12 Shrag – Life! Death! Prizes! (Where It’s At Is Where You Are)
13 Weekend – Sports (Slumberland)
14 Clinic – Bubblegum (Domino)
15 The European – In A Very Real Sense (Stolen Recordings)
16 The Vaselines – Sex With An X (Sub Pop)
17 Surf City – Kudos (Fire)
18 Edwyn Collins - Losing Sleep (Heavenly)
19 The Felt Tips – Living and Growing (Plastilina)
20 Reading Rainbow – Prism Eyes (Hozac)

It’s been a wonderful 12 months for albums. Easily the best year in the last few years. I kinda thought the art of the great LP was dying and singles and downloads were king. I was wrong. I still love a good 7″ single but there have been so many LPs released this year it makes me dizzy with excitement thinking about what might be coming up in the next 12 months.

Nearly Autumn

It’s transfer deadline day in England which means it’s nearly autumn.   2010 is nearly a race that has been run.   I don’t know why it is around Autumn time that I start thinking about records that have come out this year and the ones that might make up my own personal ‘Smash Hits’ end of year polls.  My love affair with LPs has been on the wane the past few years but I think 2010 has seen something of a revival for me with LPs galore grappling for my attention.   I’ve even managed to release a few on my label this year that rank very highly for me.   With a few months to go this list is not definitive,  and I doubt I will come to update it come year end.   But as of now, these beauties are jostling to be Top Of My Pops:

Betty and The Werewolves – Teatime Favourites (Damaged Goods).  This LP has been near the top of the played pile since I got my grubby mitts on it.  It’s brash.  It’s poppy.  It’s got a swagger about it, too.  I’ll admit that I was slow to fall for Betty and her Werewolves.   Early shows I saw left me wanting something more.  Just goes to prove how wrong headed first impressions can sometimes be.  This LP is great pop music that effortlessly marries the worlds of the 60s girl groups, the fiesty punk of the 70s and the janglepop of the 80s into something that makes me smile.  A lot.   Yep, it’s a contender.

Standard Fare – The Noyelle Beat (Thee SPC).   My pop crush of 2009 didn’t disappoint in 2010.  Delivering an LP of heartbreaking beauty.  Emma Kupa, Andy Bez and Danny How have made a record that I described back in April as ‘essential, life affirming pop music’ and the passage of time has taken none of the shine away from this superb LP.  It’s been the soundtrack to my year so far.   And it’s nice to see a wider audience starting to take notice too. I really think 2011 could be the year that Standard Fare break out and pick up some big notices.  At least I hope so, music this damn good deserves a bigger audience.

The European – In A Very Real Sense (Stolen Recordings).  This has been a slow burner.  I first heard and loved this record back in April and it has seen a lot less action than some contenders on this list.  But this might be a blessing because when I decide to give ‘In A Very Real Sense’ a spin it really does connect.  Originally I described this LP as ‘Sparse electronic pop with a warm heartbeat’.   And although that part way describes the record there is more going on here than I first heard.   This is one of those big records.   If that makes sense.

Kid Canaveral – Shouting At Wildlife (Straight To Video).  This was one of my most wanted records of 2010.  I’d be aching to hear this since first stumbling into the wonderful world of Kid Canaveral via their debut single ‘Smash Hits’ (2008?).   All that wanting.  All that waiting.   All that hoping.   Was it justified?   You bet.   This is perfect pop music, with big brash choruses and dumb pop hooks moments.  But the LP is not a one trick pony as the band have their moments of introspection too.   I loved this LP back in June.  I still love it now.

Trash Kit – Trash Kit (Upset The Rhythm).  Easily my favourite live band of 2010 – with their boundless energy and jerky rhythms.   Amazingly they manage to capture the essence of their live energy rather superbly on this record.  When reviewing the record back in April I said: “This tribal near funk punk is anything but dated.  Songs come and go often in short rapid bursts of noise with little obvious pop structure – but it is the incessant rhythms that pull you in from the off and then some writhing guitars take hold and before you know you are hooked”.   Not a lot has changed.  Apart from the fact that I love this record even more now, than I did then.

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Now for the awkward ones.   Odd Box Records has released two (well, three if you count the EP that is an LP by Ace Bushy Striptease, more on this later) LPs in 2010.   Both debut LPs too.  And they are both going to feature very highly in my end of year polls.  That’s fair, isn’t it?   Giving that I only release records that I love.

One Happy Island – One Happy Island (Odd Box).  What can I say?   This record has picked up rave reviews aplenty.   And I am justifiably proud of the fact that this record came out on my Label.   It’s a cracking indiepop record.   It has moments where it is a careering along at a million miles an hour with some daft pop hooks making you dizzy,  then it hops onto the other foot and you’re struck by some raw emotion.   The band know exactly when to let go and when to rein it in.

The Humms – Lemonland (Odd Box).  The debut LP from The Humms is an 18 song genre hopping beast.  It’s an urgent record that gains a strength from it’s diversity.  There are garage stompers, a twang of old fashioned rebel rousing country, not to mention to sure fire indie hits.   ‘Lemonland’ takes a few listens to really work.  But it is with repeated listens that comes the greatest rewarded.   I think this is a stunning record.

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Other records that could well sneak into contention in the last three months are:

Shrag – Life! Death! Prizes! (Where It’s At Is Where You Are).  One of the best live bands currently kicking around this isle.   They delivered their debut LP proper (the earlier one being a collection of singles) and it doesn’t disappoint.  Urgent.  Compelling.  Frantic.  It’s all these things and more.   And with a few more listens it could well be staging a late run for the top spot, too.

The Specific Heats – CURSED! (Fun With Asbestos).   Another record I’ve only heard recently and it is damn catchy mix of 60s psychpop.  I’ve only had the LP a few weeks and in that short time it’s made a very favourable impression with it’s  swirling psychedelia meets 60s R&B goodness.

Best Coast – Crazy For You (Mexican Summer).   Yet another recent arrival.   2010 seems to the year of the cracking LP.   I’ve only played this 5 or 6 times.  It sounds like a dizzy summer love affair.  It sounds magnificent.   More attention requried from me for sure.  But if this record continues to enchant me with it’s 60s tinged dream pop I am sure to be smitten by years end.

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And the final mention goes to an EP.  Which is really an LP.  It again came out on Odd Box.   ‘A Litte More Suspicion In Our Fairytales Plz’ by Ace Bushy Striptease is what happens when you ask some young upstarts to record a 4 song EP.   After listening to the 12 songs (in a little over 25 minutes) you don’t know where to begin.   This is a fuck off great record.   With big guitars, shouty bits, singing bits and some cracking songs.  This band should be HUGE.   They will be this time next year.  If the world was right in the head, that is.

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So they are my runners and riders for LPs of the year and I am sure some records might get released between now and years end.   And some already released could even force themselves into contention too.   But for now, these are the records that have made 2010 a little bit special for me.

Has the Bubble Burst?

After a few years of enjoying the explosion in indiepop it seems that just 4 years after I started raving about these new and exciting bands the pop bubble may have burst,  well, if not burst -  the pop has certainly lost a little of it’s fizz.

After writing for Lostmusic/Indie-mp3 it may well be that I have hit saturation point -  where I can’t hear the good from the bad, some would argue I never knew the difference, anyways.  But I am finding it harder and harder to find new bands that are genuinely exciting to me. This is why I have been exploring further afield and finding great bands that are still DIY and thrilling but they often seem to be coming from a punk/garage angle and not taking Orange Juice, The Smiths or C86 as some kind of ground zero.

As much as I love the Indietracks festival I have been fairly underwhelmed by the line up that has been announced thus far this year.  I know I will still go and have the best time.   But I am really struggling to muster any enthusiasm for a fair few of the bands that have been announced.  It all seems so safe and predictable.   Sure there are plenty of bands that I will enjoy but there is very little that has made me raise an eyebrow and think I never saw that coming.

Maybe I just want my music to be a little more challenging and I’d rather have a festival that reflected the breadth of my musical tastes.   Sadly, I don’t have the funds to start a musical festival just for me.

There are still band making what I would call indiepop that get me all excited. The latest band to hit the heights are the wonderful Standard Fare from Sheffield. Their single ‘Dancing’ is easily the best indiepop record I have heard by a new band this year.   Sadly these gems are few and far between. Anyone who knows what I like, knows that I love the DIY ethos behind indiepop. I love the idea of it all being a bit shambolic, a bit amateur if you will.   That’s not my beef with what is coming to the surface. I can’t quite put my finger on what it is that is failing to get my excited in the majority of new indiepop bands. Maybe is is the saturation point that I mentioned earlier but maybe it is that so much of what I have heard over the past 6 months has sounded like a safe, carbon copy of what has gone before.

Saying all that – some of my current favourite bands (indiepop or otherwise) could easily be described as carbon copies of the past.  I am aware of the contradiction that this presents. Maybe these bands just do it so well that I am able to see beyond their influences. I am thinking about bands like The Pains of Being Pure at Heart, Manhattan Love Suicides and Nobunny here.

I’ve heard it argued that indiepop has always been a safe playground for middle class white boys (and occassionally girls).  I’ve never really argued against this point of view and as I get older I find myself agreeing with that view point more and more. It’s never bothered me before and I doubt it would bother me if there were more exciting bands out there.

So does this simply mean I am just a grumpy fucker that needs a kick up the jacksy?  Who knows. I will keep listening and hoping for something exciting to come along and ensnare me.